bodies emerge from the graves, bodies and voices. Is it the Day of Judgement?
No, it's the 'Spoon River Anthology .
The poetry of Edgar Lee Masters took life by 142 actors, simultaneously from four cemeteries in Tuscany, told, indeed 'embodied', the history of the country of the dead of Spoon River.
The weather is mild, we go to the Cemetery of the Holy Doors, where next to the graves of the brothers Alinari, Spadolini and Pietro Annigoni see Petit wandering poet, the court Delay Lively, Dippold the optician, Dr. Meyers and many others.
Each character has shared his story, he shared with the audience throughout the afternoon, repeat and repeat as befits those who are in eternity.
are dead, are imperishable and are free to describe the second absolute truth, whether they have burned a building, killed someone or sin of blasphemy. They are dead, they have nothing to lose. The report
che si crea tra il morto e lo spettatore è intimo, reale, quasi imbarazzante.
Gli occhi azzurri della bravissima attrice Teresa Fallai , nei panni di Faith Matheny, sembrano scandagliare le nostre viscere per trovarci la paura o il coraggio dinanzi alla morte, sembrano chiedere se sappiamo qualcosa sui bagliori improvvisi dell'anima.
O ancora Jones l'indignato, interpretato da Fulvio Cauteruccio , ci punta il dito contro e ci grida il suo dissenso perché non accetta di essere stato considerato un uomo finito.
Ci incolpa e inveisce contro di noi, siamo tutti colpevoli in fondo. Qualche astante se ne va via impaurito per la veemenza, magari preferisce cercare il Monni seasons that his reading of hill but with a reassuring encore, a joke, an anecdote.
Margherita Hack leave a video message, Carla Fracci is an ethereal, as quick, appearance, Alessandro Riccio amazes us with her look mad visionary, and so forth until the sun goes up that the dead do not begin to dissolve.
We go away then, but hope they do not spend too much time moving the next meeting.
Silvia Cosi, photo Sergio Lipari
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